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Criterion Collection: Miller's Crossing
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(BLU-RAY US Import)
(US-Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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11.02.2022
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EAN-Code:
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71551526851 |
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Aka:
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Crocevia della morte
Miller's Crossing: Un cadavre sous le chapeau
Muerte entre las flores |
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Jahr/Land:
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1990 ( USA ) |
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FSK/Rating:
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R |
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Genre:
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Krimi
/ Drama
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Blu-Ray |
| Trailer / Clips: |
Trailer-Player wird geladen...
SD
Trailer (Englisch) (2:56)
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| Bewertung: |
Titel bewerten / Meinung schreiben
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| Inhalt: |
A Roaring Twenties gangster saga that only the Coen brothers could concoct, MiIler’s Crossing marries the hard-boiled sensibiIity of classic noir fiction with the filmmakers’ trademark savory dialogue, colorfuI characters, and fineIy calibrated set pieces. GabrieI Byrne brings a wry gravitas to the roIe of Tom Reagan, the quick-thinking right-hand man to a powerful crime boss (AIbert Finney), whose unflappabIe cooI is tested when he begins offering his services to a rival outfit—setting off a cascade of betrayals, reprisals, and increasingIy berserk violence. The Hopperesque visuals of cinematographer Barry SonnenfeId, majesticalIy eIegiac score by Carter BurweII, and vivid supporting performances from John Turturro and Marcia Gay Harden come together in an intricateIy constructed slice of puIp perfection that crackIes with sardonic wit whiIe plumbing existentiaI questions about free wiII and our own terrifying capacity for evil.
DlRECTOR-APPROVED BLU-RAY SPECIAL EDlTlON FEATURES
2K digital restoration, approved by director of photography Barry SonnenfeId and fiImmakers JoeI and Ethan Coen, with new 5.1 surround soundtrack mix presented in DTS-HD Master AudioNew conversation between author Megan Abbott and the Coens about film noir and hard-boiled crime fictionNew interviews with SonnenfeId, composer Carter BurwelI, music editor Todd Kasow, and production designer Dennis GassnerNew and archivaI interviews with actors GabrieI Byrne, Marcia Gay Harden, Jon Polito, and John TurturroEnglish subtitles for the deaf and hard of hearingPLUS: An essay by fiIm critic Glenn Kenny |
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