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Autor(en): 
  • Carmen Fracchia
  • 'Black but Human': Slavery and Visual Art in Hapsburg Spain, 1480-1700 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

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    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Februar 2023  
    Genre:  Geschichte / Politik / Kultur 
    ISBN:  9780198881063 
    EAN-Code: 
    9780198881063 
    Verlag:  Oxford Academic 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 239 mm / B 156 mm / D 14 mm 
    Gewicht:  480 gr 
    Seiten:  256 
    Illustration:  63 colour, 27 b/w, plus 16pp colour plate section 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    'Black but Human' is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb 'Black but Human' is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for critical and emancipatory practices by Afro-Hispanics themselves. The African presence in the Iberian Peninsula between the late fifteenth century and the end of the seventeenth century was as a result of the institutionalization of the local and transatlantic slave trades. In addition to the Moors, Berbers, and Turks born as slaves, there were approximately two million enslaved people in the kingdoms of Castile, Aragón, and Portugal. The 'Black but Human' topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a 'black nation' forges a collective resistance. It is visually articulated by Afro-Hispanic and Spanish artists in religious paintings and in the genres of self-portraiture and portraiture. This extraordinary imagery coexists with the stereotypical representations of African slaves and ex-slaves by Spanish sculptors, engravers, jewellers, and painters mainly in the religious visual form and by European draftsmen and miniaturists, in their landscape drawings, and sketches for costume books.
      



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